{"id":14905,"date":"2025-01-13T14:18:07","date_gmt":"2025-01-13T14:18:07","guid":{"rendered":"https:\/\/luxabruzzonline.lu\/agendaonline\/"},"modified":"2025-02-27T12:41:53","modified_gmt":"2025-02-27T12:41:53","slug":"agendaonline","status":"publish","type":"post","link":"https:\/\/luxabruzzonline.lu\/en\/agendaonline\/","title":{"rendered":"AGENDAONLINE"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"14905\" class=\"elementor elementor-14905 elementor-14299\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6889e2f e-flex e-con-boxed sc_inner_width_none sc_layouts_column_icons_position_left e-con e-parent\" data-id=\"6889e2f\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d602f7c sc_fly_static elementor-widget elementor-widget-heading\" data-id=\"d602f7c\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.23.0 - 05-08-2024 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><p class=\"elementor-heading-title elementor-size-default\">Exhibitions to visit, free admission - Abruzzo\/Luxembourg<\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-68f6370 sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"68f6370\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.23.0 - 05-08-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h6 id=\"\"><strong style=\"font-size: 1.2143em; letter-spacing: 0px;\"><em><img fetchpriority=\"high\" decoding=\"async\" class=\"lazyload_inited alignnone size-full wp-image-14317\" src=\"https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/Maria-Loboda-scaled-e1736801321782.jpg\" alt=\"\" width=\"750\" height=\"666\" srcset=\"https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/Maria-Loboda-scaled-e1736801321782.jpg 750w, https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/Maria-Loboda-scaled-e1736801321782-300x266.jpg 300w, https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/Maria-Loboda-scaled-e1736801321782-370x329.jpg 370w, https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/Maria-Loboda-scaled-e1736801321782-642x570.jpg 642w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/em><\/strong><\/h6><h4 id=\"vistamare-gallery-pescaramaria-loboda-oursto-keepfrom-02-12-2024-to-09-05-2025\">VISTAMARE Gallery <br>PESCARA<br><strong><br>MARIA LOBODA<br><\/strong> Ours<strong>to Keep<br><span style=\"color: #333333; font-family: Roboto, sans-serif; font-size: 14px;\">From 02.12.2024 To 09.05.2025<\/span><\/strong><\/h4><p>This is Maria Loboda&#8217;s first solo exhibition at the gallery&#8217;s Pescara location. The exhibition investigates a range of concepts, including possession and the search for elusive desires. Language and communication play an important role in <strong>Loboda<\/strong> &#8216;s work. The titles of the works and exhibitions are carefully chosen and help the visitor decipher the complexity of the narrative created by the artist.   <br>&#8220;I always try to build the exhibition around a short story-a haiku so to speak-so that the works interact and stand next to each other.&#8221;<br>It is as if the artist is intent on writing and rewriting extraordinary stories, and then manipulating, distorting or dysfunctionalizing them so that they can come to life. In her works <em>, Loboda<\/em> uses a singular vocabulary that draws from a wide range of cultural influences, from antiquity to the present day.<br>The exhibition includes <em>site-specific<\/em> installations and new works created specifically for the spaces, as well as photographic works previously presented at the Ujazdowski Castle Centre for Contemporary Art, in Warsaw, on the occasion of her first exhibition in Poland in 2019.<br>These photographs depict a person looking at the pages of a catalog under the sheets with the help of a flashlight. This clandestine pleasure becomes almost a sensual act, only in this scenario the object of desire is not an erotic magazine but a museum catalog of royal Korean celadon ceramics. The distinctive pale green hue of celadon ceramics was considered the color of transcendence, almost impossible to describe or reproduce. These ceramics were held in high esteem in the imperial courts because they were believed to have mystical properties, such as the ability to protect those who looked at them: their glaze would turn darker or shatter on contact with poisoned food.<br>Bruce Chatwin, of whom Loboda is an admirer, began his career as a catalog text writer in an auction house. His writings initiated the artist&#8217;s interest in the language of cataloging, which is both descriptive and seductive. This specific language is used to create a vivid image of the object in the mind of the reader who cannot see it in person. The artist confronts this ability to arouse attraction by placing objects to be observed from a distance within inaccessible rooms.       <\/p><p>After learning that the gallery space had previously been an antique store, the artist used old furniture as part of the installation, juxtaposing it with new snake-shaped glass sculptures, &#8220;The Fanciers.&#8221; These enigmatic figures are like guardians of small ordinary items that they transform into elusive precious artifacts (Objets de Vertu). The snakes embody the dual role of guardians and creators of our fascinations.  <\/p><p><strong>VISTAMARE Gallery<\/strong><br>Largo dei Frentani, 13 <br>65127 Pescara<br>T+39 085 694570 &#8211; 085 4554401<br><em>info@vistamare.com<\/em><\/p><p>Opening Hours: <br>Monday 9:30am &#8211; 1:30pm<br>Tuesday &#8211; Friday 10am &#8211; 1:30pm | 3:30pm &#8211; 7:30pm<\/p><p>Cover Ph: Maria LOBODA<\/p><p><strong style=\"color: var(--theme-color-text_dark); font-family: var( --e-global-typography-primary-font-family ), Sans-serif; font-size: 18px; font-style: normal; letter-spacing: var( --e-global-typography-primary-letter-spacing ); word-spacing: var( --e-global-typography-primary-word-spacing ); text-align: var(--text-align); background-color: var(--theme-color-bg_color);\"><em> <\/em><\/strong><\/p><p><em><span style=\"font-size: 18px; letter-spacing: var( --e-global-typography-primary-letter-spacing );\"><span style=\"color: #1d1d1d; font-family: Montserrat, sans-serif; font-size: 3.4286rem; font-weight: bold; letter-spacing: -1.5px;\">Luxembourg <br><\/span><strong>CASINO LUXEMBOURG <\/strong> <\/span><\/em><\/p><div class=\"definitions\"><div class=\"definitions__item\"><div class=\"definitions__item-label\"><em>Artiste(s)<\/em><\/div><div class=\"definitions__item-value\"><strong>David Bernstein, Stephen Korytko, Christine Sun Kim, Nicholas Vargelis, Jules Maillot<\/strong><\/div><\/div><div class=\"definitions__item\"><div class=\"definitions__item-label\"><em>Curateur(s) : <\/em><strong>Charles Rouleau, Stilb\u00e9 Schroeder<\/strong><\/div><\/div><\/div><p><strong style=\"color: var(--theme-color-text_dark); font-family: var( --e-global-typography-primary-font-family ), Sans-serif; font-style: normal; word-spacing: var( --e-global-typography-primary-word-spacing ); text-align: var(--text-align); background-color: var(--theme-color-bg_color);\"><span style=\"font-size: 18px; letter-spacing: var( --e-global-typography-primary-letter-spacing );\">From <time datetime=\"2024-10-05\"><strong>05.10.2024<\/strong><\/time><br>To <time datetime=\"2025-04-21\"><strong>21.04.2025<\/strong><\/time><\/span><\/strong><\/p><p><strong>Une exp\u00e9rimentation curatorial<\/strong><\/p><p>&#8221; Alors que nous \u00e9tions \u00e0 la recherche d&#8217;un titre pour ce projet, nous \u00e9tions soudainement happ\u00e9-e-s par le &#8221; boogie &#8220;. Les significations du mot sont multiples. De la r\u00e9f\u00e9rence musicale apparente \u00e0 l&#8217;une des derni\u00e8res \u0153uvres de Mondrian, en passant par <em>Dragon Ball Super<\/em>, une orthographe datant de la fin du dix-neuvi\u00e8me si\u00e8cle pour signifier une boule de mucus dans le nez, un personnage de dessin anim\u00e9 argentin utilis\u00e9 comme une parodie de l&#8217;extr\u00eame droite, le titre d&#8217;un film de Paul Thomas Anderson de 1997, une r\u00e9cente exposition de l&#8217;artiste Alexis Blake, et probablement d&#8217;autres \u00e0 d\u00e9couvrir et \u00e0 approfondir&#8230;  <\/p><p><em>Boogie, <\/em>est vivant, complexe et \u00e9volutif. Certaines connotations plus agr\u00e9ables que d&#8217;autres. Il s&#8217;agit de reconna\u00eetre ses diverses facettes, de suivre son rythme et d&#8217;embrasser sa complexit\u00e9, ses r\u00e9sonances et dissonances. Ne soyons pas dupes, on t\u00e2chera de ne pas \u00eatre passif-v-e-s. <em>Boogie,<\/em> prosp\u00e8rera tant qu&#8217;on s&#8217;engagera. Son rythme est graphique, sa tonalit\u00e9 ronde dans la bouche.    <\/p><p>Notre exploration du <em>Boogie,<\/em> tente de susciter des nouvelles perspectives sur l&#8217;exp\u00e9rimentation curatoriale. Nous le voyons comme une m\u00e9thode pour insuffler \u00e0 notre travail des spontan\u00e9it\u00e9s uniques. Ainsi, les espaces d&#8217;exposition du rez-de-chauss\u00e9e se transformeront en laboratoire d&#8217;exp\u00e9rimentations curatoriales et artistiques que la m\u00e9thode du <em>Boogie,<\/em> viendra articuler. Des collaborations avec des artistes et autres cr\u00e9atif-v-e-s sont en cours et se pr\u00e9ciseront tout au long de l&#8217;aventure. &#8220;<\/p><p>En cours :<br><strong>Christine Sun Kim, David Bernstein, Stephen Korytko, Nicholas Vargelis, Jules Maillot<\/strong><\/p><p><a href=\"https:\/\/christinesunkim.com\/\" rel=\"nofollow\">Christine Sun Kim<\/a> propose une fresque command\u00e9e intitul\u00e9e <em>Ghosted in the Shell<\/em>. Avec <a href=\"http:\/\/www.yesyesdavid.com\/\" rel=\"nofollow\">David Bernstein<\/a>, nous r\u00e9activons la sculpture <em>Hammama&#8217;s Boy<\/em>, tandis que le r\u00e9alisateur local <a href=\"https:\/\/www.korytko.co\/\" rel=\"nofollow\">Stephen Korytko<\/a> signe la bande annonce de <em>Boogie,<\/em>. <a href=\"http:\/\/vargelis.com\/?p=\" rel=\"nofollow\">Nicholas Vargelis<\/a> tamise les salles d&#8217;exposition avec l&#8217;installation lumineuse <em>F For Fake of 20th Century Light<\/em>,<em> <\/em>tandis que <a href=\"https:\/\/www.instagram.com\/jules__maillot\/\" rel=\"nofollow\">Jules Maillot<\/a> concocte la bi\u00e8re <em>Milk the Funk.<\/em><\/p><p><a href=\"https:\/\/vimeo.com\/1019836345\">LINK: <strong>https:\/\/vimeo.com\/1019836345<\/strong><\/a><br><strong>Image : \u00e9criture st\u00e9nographique du mot &#8221; boogie &#8220;<\/strong><\/p><p>En cours :<br><strong>Christine Sun Kim, David Bernstein, Stephen Korytko, Nicholas Vargelis, Jules Maillot<\/strong><\/p><p><a href=\"https:\/\/christinesunkim.com\/\" rel=\"nofollow\">Christine Sun Kim<\/a> propose une fresque command\u00e9e intitul\u00e9e <em>Ghosted in the Shell<\/em>. Avec <a href=\"http:\/\/www.yesyesdavid.com\/\" rel=\"nofollow\">David Bernstein<\/a>, nous r\u00e9activons la sculpture <em>Hammama&#8217;s Boy<\/em>, tandis que le r\u00e9alisateur local <a href=\"https:\/\/www.korytko.co\/\" rel=\"nofollow\">Stephen Korytko<\/a> signe la bande annonce de <em>Boogie,<\/em>. <a href=\"http:\/\/vargelis.com\/?p=\" rel=\"nofollow\">Nicholas Vargelis<\/a> tamise les salles d&#8217;exposition avec l&#8217;installation lumineuse <em>F For Fake of 20th Century Light<\/em>,<em> <\/em>tandis que <a href=\"https:\/\/www.instagram.com\/jules__maillot\/\" rel=\"nofollow\">Jules Maillot<\/a> concocte la bi\u00e8re <em>Milk the Funk<\/em>.<\/p><p><img decoding=\"async\" class=\"alignnone size-full wp-image-14357\" src=\"https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/IMG_8015.jpeg\" alt=\"\" width=\"960\" height=\"886\" srcset=\"https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/IMG_8015.jpeg 960w, https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/IMG_8015-300x277.jpeg 300w, https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/IMG_8015-768x709.jpeg 768w, https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/IMG_8015-370x341.jpeg 370w, https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/IMG_8015-865x798.jpeg 865w, https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/IMG_8015-642x593.jpeg 642w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/> <img decoding=\"async\" class=\"alignnone size-full wp-image-14358\" src=\"https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/IMG_8014.jpeg\" alt=\"\" width=\"960\" height=\"892\" srcset=\"https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/IMG_8014.jpeg 960w, https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/IMG_8014-300x279.jpeg 300w, https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/IMG_8014-768x714.jpeg 768w, https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/IMG_8014-370x344.jpeg 370w, https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/IMG_8014-865x804.jpeg 865w, https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/IMG_8014-642x597.jpeg 642w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/> <img src=\"https:\/\/luxabruzzonline.lu\/wp-content\/plugins\/trx_addons\/components\/lazy-load\/images\/placeholder.png\" data-trx-lazyload-height style=\"height: 0; padding-top: 123.73472949389%;\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14359\" data-trx-lazyload-src=\"https:\/\/luxabruzzonline.lu\/wp-content\/uploads\/2025\/01\/0.jpg\" alt=\"\" width=\"573\" height=\"709\"   \/><\/p><p>Image : \u00e9criture st\u00e9nographique du mot &#8221; boogie &#8220;<\/p><p><strong>Casino Luxembourg<\/strong><br><a href=\"mailto:info@casinolouxembourg.lu\">info@casinolouxembourg.lu<\/a><br>T +352 22 50 45<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"e-con-gap-no elementor-element elementor-element-4d4f8c4 e-flex e-con-boxed sc_inner_width_none sc_layouts_column_icons_position_left e-con e-parent\" data-id=\"4d4f8c4\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Exhibitions to visit, free admission &#8211; Abruzzo\/Luxembourg VISTAMARE Gallery PESCARAMARIA LOBODA Oursto KeepFrom 02.12.2024 To 09.05.2025 This is Maria Loboda&#8217;s first solo exhibition at the gallery&#8217;s Pescara location. The exhibition investigates a range of concepts, including possession and the search for elusive desires. Language and communication play an important role in Loboda &#8216;s work. The&hellip;<\/p>\n","protected":false},"author":2,"featured_media":14890,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[218],"tags":[],"class_list":["post-14905","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"_links":{"self":[{"href":"https:\/\/luxabruzzonline.lu\/en\/wp-json\/wp\/v2\/posts\/14905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/luxabruzzonline.lu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/luxabruzzonline.lu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/luxabruzzonline.lu\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/luxabruzzonline.lu\/en\/wp-json\/wp\/v2\/comments?post=14905"}],"version-history":[{"count":1,"href":"https:\/\/luxabruzzonline.lu\/en\/wp-json\/wp\/v2\/posts\/14905\/revisions"}],"predecessor-version":[{"id":14906,"href":"https:\/\/luxabruzzonline.lu\/en\/wp-json\/wp\/v2\/posts\/14905\/revisions\/14906"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/luxabruzzonline.lu\/en\/wp-json\/wp\/v2\/media\/14890"}],"wp:attachment":[{"href":"https:\/\/luxabruzzonline.lu\/en\/wp-json\/wp\/v2\/media?parent=14905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/luxabruzzonline.lu\/en\/wp-json\/wp\/v2\/categories?post=14905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/luxabruzzonline.lu\/en\/wp-json\/wp\/v2\/tags?post=14905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}